Related Paintings of unknow artist :. | Portrait of G. I. Alymova | The Two Rivers | Classical hunting fox, Equestrian and Beautiful Horses, 091. | Horses 08 | Altstadt mit Schloss Sondershausen | Related Artists:
theophile-alexandre steinlenSwiss-born French Art Nouveau Painter and Printmaker, 1859-1923
was a Swiss-born French Art Nouveau painter and printmaker. Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his new wife were encouraged by the painter Francois Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises. La tournee du Chat Noir avec Rodolphe Salis (1896)In the early 1890s, Steinlen's paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Independants. His 1895 lithograph titled Les Chanteurs des Rues was the frontispiece to a work entitled Chansons de Montmartre published by Editions Flammarion with sixteen original lithographs that illustrated the Belle Epoque songs of Paul Delmet. His permanent home, Montmartre and its environs was a favorite subject throughout Steinlen's life and he often painted scenes of some of the harsher aspects of life in the area. In addition to paintings and drawings, he also did sculpture on a limited basis, most notably figures of cats that he had great affection for as seen in many of his paintings. Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L'Assiette au Beurre and Les Humouristes, a short-lived magazine he and a dozen other artists jointly founded in 1911.
Karl BodmerSwiss Painter, 1809-1893,Swiss painter and graphic artist, active in the USA and France. His earliest exposure to art probably came from his uncle, the landscape painter and engraver Johann Jakob Meyer (1787-1858). When he was 22, Bodmer moved to Paris, where he studied art under Sebastien Cornu. In Paris he met his future patron, Prince Maximilian of Wied-Neuwied, who was planning an ambitious scientific expedition to North America. Bodmer was engaged to accompany the expedition and to provide sketches of the American wilderness. After touring the East Coast, the party made their way westward via the Ohio and Mississippi rivers to St Louis, MO, and in 1833 travelled up the Missouri River into country scarcely inhabited by white men. On the journey north to Ft MacKenzie, WY, Bodmer recorded the landscape and the groups of Indians they encountered. Having wintered in Ft Clark, ND, they returned to New York and then Europe in 1834.
Perino Del VagaItalian Mannerist Painter, ca.1501-1547
Italian painter and draughtsman. He trained in Florence, first with Andrea de' Ceri and from the age of 11 with Ridolfo Ghirlandaio. According to Vasari, he practised drawing by copying Michelangelo's cartoon for the Battle of Cascina (destr.). For Pope Leo X's entry into Florence in November 1515 he painted an allegorical figure on one of the twelve triumphal arches. Soon after, an obscure Florentine painter called Vaga took Perino to Rome, where he became known as del Vaga. There he continued his drawing studies, copying from works of antiquity and Michelangelo's ceiling in the Sistine Chapel. On the recommendation of Giulio Romano and Giovanni Francesco Penni, he joined Raphael's workshop, where he learnt stuccowork and how to design grotesques, through assisting Giovanni da Udine in the Vatican Logge. Soon he was painting scenes from Raphael's designs, and five or six ceiling frescoes in the Logge, including the Story of Joshua and the Story of David, are generally accepted as his.